Creativity Vysotsky. Vladimir Vysotsky: a brief biography. To help a schoolboy on what topics wrote Vysotsky

Usually, analyzing this or that classical work, speaking about a particular author, literary critics and critics talk about the language and style of "under the curtain", at the end of the book or article. In the case of Vysotsky (as with Zoshchenko and Platonov), it is necessary to begin with a language that spoke with the listener the lyrical hero of Vysotsky's poetry. First of all, a purely linguistic phenomenon is striking, which, largely, and underlies the unprecedented mass popularity of Vysotsky, and not anyone else from the creators of the author's song. Vysotsky's lyrical hero came to the literature, to the listener and reader with his language: the unlocked spoken, and often a jargon, tapering; expressive, short and accurate phrase; unpredictable, free, often obscure intonation; uncomplicated, easily digestible rhythms:

I was a soul of a bad society, and I can tell you: my patronymic name knew perfectly in the KGB. In love with me all the street and the entire Savelovsky station. I knew what were interested in me, but still neglected ... ("I was a soul of a bad society")

In comparison with the previous years, this was a really new language - the street language of the Stalin camps and the following decades behind it. According to the testimony of Academician D.S. Likhacheva, the camp vocabulary in that camp era received unprecedented distribution (and not surprising: the half was sitting in the camps, the half-standing camp guarded), she penetrated into an intelligentsia environment, where many have learned famously "bot on the scene." Vysotsky in his songs also spoke in this language, but used it for artistic purposes (see about this next), creatively: it was Vysotsky, with his "absolutely true Language Face" (I. Brodsky), became one of the most notable voices of his era , of his time, he caught, transformed and introduced into poetry, artistically legalized this peculiar "rough language of the poster", who spoke, "the street", "the junior-free (speaking words of V. Mayakovsky) before the arrival of the poet. Without such a tongue, there would be no lyrical hero of Vysotsky, at least that we imagine it.

Lyrical hero and genre of vysotsky poetry

One of the reasons for Vysotsky's popularity was that he turned to the genre that had already been distributed in that camp era - the genre of Blesno (Vysotsky refused this word), or a courtyard, songs, a kind of reduced version of the former city romance. True, she (Bloom Song) was to Vysotsky outside the artisticity, was, so to speak, a migratory, altitude-fence, but she lived her life, was popular to him. It was a powerful plastic of folk culture. The poet himself later spoke about it like this: "I started with songs that many for some reason are called yard, streets. It was such a tribute to the city romance, which was completely forgotten at that time. And people probably had a craving for not simplified , namely, a simple human intonation. They were freakty, these first songs, and there was one, but a fiery passion: the eternal desire of a person to the truth, the love of his friends, a woman, close to people "2.

The main thing in these songs is a living, unreacitated word, taken from life, from a conversational speech, and longing for her in the era of ideological and speech stamps, the stationery and empty language of the official press was great. In the songs of Vysotsky, folk (household and folklore) speech element, which in his work found the status of artisticity, and the courtyard song became successful (for the new audience of the new time) the form of a conversation of the lyrical hero with a listener reader. Vysotsky developed the genre and proved that the courtyard of the song is capable of being not only sentimentally criminal and mesh, but also "social and illuminated and philosophical-in-depth, grotesco-comic and confessional-lyrical" 3. Vysotsky gave this non-serious folk genre the seriousness, ethical and philosophical significance, introduced into the literature, and the phenomenon received a different name - the "author's song" (although, of course, not only thanks to one Vysotsky).

Read also other articles about the work of Vladimir Vysotsky.

The writing

The work of Vladimir Vysotsky is interesting and multifaceted. It has been written more than 600 songs and poems, played by more than 20 roles on the stage of theaters, 30 roles in kinocarthines and televisionils, 8 - in radio spectacles. So who is he actor, poet or composer? He himself, in one of the interviews, answered this question like this: "I think that the combination of those genres and elements of art, which I do and try to make synthesis of them, - maybe this is a new kind of art. Maybe all this will be called in the future by some one word, but now there is no word yet. "Volodya was born on January 25, 1938, in the Military family, so they moved a lot, but he spent their youth in Moscow, on a large register, where he began to write.

His genre on stage, he most often called the author's song. He wrote his first poem in 1961. He began Vysotsky to write his songs only for his friends to sing in a small courtyard company, so the first songs were such street and even a little hooligan.

Later he began to write about the war and about more philosophical topics.

V. Vysotsky asked a lot, why he, who did not last and did not see the war, wrote about her, and wrote as if he had taken part in her. He answered: "First, it is impossible to forget about it. War will always worry us - this is such a great trouble that covered our land for four years, and it will never be forgotten, and everyone will always come back to this who speak to some degree ...

We are children of war years - for us it will never forget. One man did notice that we were "preventing" in their songs. All our conscience hurts due to the fact that we did not participate in this. I gave the tribute to this time with my songs. This is the Honorary Task - write about people who fought.

* I do not leave this heavenly square.
* My numbers are not important now,
* Today my friend protects me back,
* And therefore, the chances are equal.

("Song of the pilot") is not the songs of retrospection: they are written by a man who did not pass the war. These are songs of the Association. If you think about them and listen, you will see that they can be singing and now: just taken characters from the situation from those times, but all this could happen here today. And these songs are written for people, most of which also did not participate in these events.

* War is not a fireworks at all,
* And just hard work
* When black from sweat, up
* Slides in the smelting of the infantry.

These songs are written on a military material with a parid of the past, but it is not at all necessary that the conversation in them is only purely about the war ... "Many songs about war he wrote for a movie. Vysotsky himself was filmed in the paintings, but as admitted the fate of the film actor did not have for him. Cinema did not use all its capabilities. Half played roles - episodic.

In the film "served two comrades" The role of Lieutenant Brustentsov, the work on which Vysotsky recalled with a special warmth, was conceived, as the main one, but in the final version it is secondary. So often it turned out with movies and with songs for them.

True, he was only at concerts. At concerts, he always worked in full force. Each concert, as the last. By performing songs, he could be so crashing, such a storm and raging that people sitting in the hall had to have a strong wind, cover their eyes and pull their heads into the shoulders. And it seemed: still second - and the ceiling collapses, and the speakers will explode, the strings burst, not to withstand the tension, and the Vysotsky himself will fall, falls, will die straight on the stage ... It seemed that it was not possible to sing on such a nervous inhabitant! And he sang. He breathed.

But the next song could be awesome quiet. And it was even more in the soul. Vysotsky, who just seemed to the pulsating bunch of nerves, suddenly became the embodiment of the sublime calm, became a man, comprehended by all the secrets of being. And every word sounded in a special way.

At concerts, he often sang songs about sports.

I do not know who the poets still paid so much attention to a sports topic. Vysotsky himself engaged in a lot in sports, when he was a little, he was just like that - boxing, acrobatics, and many other sports. Then, when he became an actor, he began to play sports for the scene, because in the theater on Taganka had to do different acrobatic numbers.

Vladimir Semenovich wanted to create a whole program from his songs, where the song is about each sport. This, of course, an exorbitant task, because Only in the "Sportoto" of them already 49. However, he worked a lot and wrote something. He has a "song about the skater on short distances, which forced to run long (and he did not want to run)" or also a comic song-continuation of the "Song of the Sentimental Boxer". There is a song "Professionals", which he wrote after the game of the USSR-Canada in Hockey, when our steel became the world champions for the fifth time. The game was hard and our fans were afraid that Canadian professionals owning power techniques would be able to win, but everything turned out to be different.

* ... professionals desperately small
* Lottery game, to whom is lucky.
* Play with a partner as a bull with Matador,
* Although it seems, it is accepted on the contrary.

This song has become the most beloved at hockey players. Sometimes Vladimir Vysotsky met with them before their departures for responsible competitions, and they always asked to sing this song. The team even takes a magnetic film with it - in order to raise the morale in front of the game. And the famous "Morning Gymnastics", such an anti-alcohol song-joke, like a parody of some exercises of gymnastics.

* "Inhale deep, hands wider,
* Do not rush - three, four!
* Bodyness of the Spirit, Grace and Plastic!
* Lusting,
* In the morning sobering,
* If still is alive, - gymnastics!
* If you are already tired
* Seli-got up, Seli-got up,
* The Arctic with Antarctica is not afraid!
* Main Academician Ioffe
* Proved: Cognac and Coffee
* You will replace sports prevention.

"Song about a jumper in length" is devoted to a friend of Vladimir, a famous jumper in length, Gerion Klimov. He has misfortune: he always crosses the board, from which it is repelled - and he does not count records.

* "What happened why shout?
* Why is my coach screamed?
* Just eight forty result,
* True, overcrowded.
* Oh, it falls to the bottom of it.
* Bowl with poison instead of the Cup I take.
* It is only for the hell to cross
* Turning into a kangaroo person.

"Song about the rod" is not a comic song, she is "lirocomedy". She dedicated to Vasily Alekseev, the most severe person in the world. Vysotsky first wanted to write a comedian song, even invented a verse for her. There was so:

* Try opponents
* Records repeat,
* But I am so competitive
* What is scary to talk.
* But then changed and the song turned out more serious:
* ... not marked by the Grace of Mustang,
* I am, I will not soon.
* Rod, overloaded rod
* Eternal my opponent and partner.
* Such a mixture bulk
* I will not wish my enemy
* I come to a heavy projectile
* With a hard sense: suddenly I will not raise?!
* We both with it seemed to be made of metal
* But only he is really metal.

And I so long walked before the pedestal, that dents in the drill protopal. "In the early 70s, multi-sieuled television paintings have already been popular, and Vysotsky decided to try to write a song with continuations. The popularity of Chess was very large then, and people watched the Spassky games, Fisher. Many dreamed of playing with them, and one friend said to Vladimir, that he had a dream, where he plays with Fisher. Vysotsky came across this for a certain thought, and he wrote the song "Honor of a chess crown" in two series: the first - "preparation", and the second- "game". The song turned out to be semi-infantastic and comic.

* ... and in the buffet, for others closed,
* Cook reassured: "Not Roby!
* You are with such a wonderful appetite
* The gaze swallow all his horses!
* The move behind me - what to do?!
* Need, Seva,
* At rag like at night at the taiga ...
* I remember the most good Queen:
* Walks back and forward and right-left
* Well, the horses like the letter "g".

But special attention, in my opinion, you need to move the songs from the movie "Vertical". They are pretty serious. "Mountaineering is not a sport, but even if the sport, then the competitions are inappropriate here," they will not lead to anything good. "- This phrase Vladimir Vysotsky said in one of the interviews.
Everyone knows that Vysotsky wrote songs as if immersing in the atmosphere of what he writes about. It also happened on the filming of the film "Vertical". He together with the film crew arrived in the mountains, and they simply conquered him with their beauty.

* ... better mountains can only be mountains,
* On which there were not yet.

He met a lot there with smart, good people, and people in the mountains, must be said, behave completely differently than in the usual, urban setting. They reveal completely differently. The fact is that the situation during the climb is close to the military, and therefore people behave like in battle.

* Here you are not a plain, here is another climate
* Avalanches are one for one,

In any other place it is rarely see. Vysotsky himself told: "I was satisfied somehow to perform the climbers, I came to them, they had long wanted to listen to me, but it suddenly turned out that some group was crazy. All of them, as one, blown up by the wind, they left at night, in bad weather, went to the route to save people. Why do people go up? Probably to check to see what you are for a person, to understand better people who are with you. Because there are no militia in the mountains, there is no ambulance that could save you or help out. "

* Neither a stone nor ice, nor a rock, not reliable in the mountains
* We hope only for the fortress of hands,
* On the hands of a friend and a robbed hook
* And pray that insurance does not fail.

Mountaineering is a very risky business. And Vladimir Vysotsky loved risky people, so speeches and in front of the sailors, and before the pilots, he also noted particularly. Songs about the sea, about the storm, he performed about the sailors not so often, but he had no little. He admired the marine mutual execution, and in the songs "man overboard" and "save our souls" he reflected it.

* Was a storm roped rocked skin with hands,
* And anchor chain squeezed
* Sang the song The wind is rude and suddenly
* There was a voice: "Man overboard!
* And immediately, "full ago! Stop machine!
* On water boats, help
* Pull off Sukina son
* Or, there, Sukina Daughter!
* I regretted what was doomed to walk
* On land, - know, I do not wait for the submits
* No one rushes me to save
* And they will not be announced a boat alarm.
* And say: "Full ahead! Wind in the back!
* We will be in the port by the hour.
* So him, suckin son,
* Let him choose himself!
* (1969)

Among his friends there were many sailors, and he often sang them in cabins. Sea songs at V. Vysotsky is a special category of mental songs.

* Just again back looks
* Chain keeps the earth, everything is not so.
* Why the targets are not going on too long,
* Why is too often blinking lighthouse?!

They cling to a person for the soul, it is especially possible to note the "ballad about the left ship", "stubbornly, I strive for the bottom ..." And "horses twenty thousand into cars are clamped ...", dedicated to the crew of the ship "Shota Rustaveli", on which Vladimir and Marina Vladimir Rested.

International University of Family and Child. Raul Wallenberga

Institute of Special Pedagogy and Psychology

Work at the rate

"Domestic and foreign literature"

student Group 82 / With Lapov Andrei Viktorovich

"CREATION

Vladimir Vysotsky "

family of the serviceman.

At the beginning of the Great Patriotic War and Mother, Nina Maximovna,

evacuated to the Orenburg region. In the summer of 1943, they return to

two years, in 1947 he left with his father and stepmother to Germany - the city

Eberswald. Having stayed there for two years, in October 1949 returned to Moscow.

Settled in Big Kareny, 15. He studied in the 186th Male School and in 1955

year graduated from 10 classes. In the same year he entered Moscow engineering

building Institute Nam.Kuibyshev, but after a few months, in

early 1956 left the institute.

In the summer of 1956 he entered the MCAT Studio School. Nemirovich-Danchenko on

the acting department at the rate of B.I. Masalsky and A.M.Komissarov. In May 1958.

the year married at the Studio Student Mchat Isolde Zhukova. In June 1960.

the year graduated from the Studio School of MCAT. Settled in the Moscow Drama Theater

them. A.S. Pushkin, then to the theater miniature.

In 1961, the first song was written - "Tattoo".

In the fall of 1961, in Leningrad met the film actress Lyudmila

Abramova, the future second wife. In November 1962, Vysotsky and

L. Abramova was born the first son - Arkady.

For some sources there is information that at this time Vladimir

Vysotsky began to abuse alcoholic beverages, and in May 1964 he

at the insistence of parents, for the first time goes to the hospital, he is treated from alcoholism.

In August 1964 he had a second son - Nikita.

Since September 1964, the creative life of Vladimir Semenovich Vysotsky

associated with the theater of drama and comedy on the Taganka, where he was enrolled in the staff

actors. In 1965, the first solo concerts are held in Moscow. To

time is already written about hundreds of songs.

In June 1966, in the theater at the Taganka Premiere - "Life of Galilea". IN

main role - Vladimir Vysotsky.

In the summer of 1966, he starred in two films: "Vertical" and "Short

meetings. " The light saw the first flexible plate with the songs of Vysotsky from

film "Vertical". In 1967, he starred in films: "Two comrades served" and

"Intervention". (The last film during his life on the screens did not come out).

In July 1967, in Moscow met the French film actresant de

Polyakoff Marina-Katrine, more famous for us, like Marina Vlad.

In March 1968, Vysotsky dismissed from the theater on Taganka, then again

take with many reservations.

August 1968 - Poems are written in Siberia for songs "Wolves Hunt"

and "Banaka".

In July 1969, the first clinical death.

roles - Vysotsky.

In the summer of 1973, for the first time goes to the West - to France. In the same year in

The United States came out the first two giant disks with the songs of Vysotsky

In the spring of 1975, Vysotsky and Vlady received a separate three-room

apartment on Malaya Georgian, 28.

change it is impossible. " Shooting ended in February 1979.

1979 - starred in his last film - "Little tragedies".

"Hamlet".

from above - I'm moving between ... "

Georgian, 28.

He was buried at the Vagankovsky cemetery in Moscow.

They were played by more than 20 roles on the stage of the theater, 8 - in the radio

Removed in films:

- "Popper" (Petya)

- "Career Dima Gorina" (Sofron)

- "Sinny" (correspondent)

- "713 asks landing" (American sailor)

- "Dismissal ashore" (Peter)

- "Live and dead" (cheerful soldiers)

- "Punch Punch" (Alexander Nikulin)

- "Our house" (mechanic)

- "For tomorrow's street" (Peter Markin)

- "Stryakuha" (Andrey Bee)

- "I come from childhood" (Volodya)

- Vertical (Volodya)

- "Short meetings" (Maxim)

- "Two comrades served" (Brusnuts)

- "Master of Taiga" ("Ryaby")

- "Dangerous tour" (Nikolai Kovalenko)

- "White Blast" (Politruk)

- "Echo of distant snow" ("gray")

- "Fourth" (he)

1973 - "Bad Good Man" (Background Corren)

- "The only way" (malt)

- "Mr. Mac-Kinley's flight" (Bill Segger)

- "The only one" (Boris Ilyich)

- "How the king Peter Arape married" (Ibrahim Hannibal)

The meeting place is impossible to change "(Gleb Zheglov)

- "Little tragedies"

The creative heritage of Vysotsky pays a lot of riddles. Serious

studies began not so long ago, and there are still many disputes, discoveries,

different versions.

One of the first to assess his creativity as a poet gave critic N. Krymov.

In January 1968, in the journal "Soviet stage and the circus" she wrote:

How much the theater on Taganka does not look like a BDT in Leningrad, so Vladimir

Vysotsky does not look like a Jurassic or receptor. Theater formed this actor

in his image and likeness, in this form he went out to the stage - chanson with

Taganka. Special type of our, domestic chanson. Can be proud that

he finally appeared. Appeared - and immediately fastened those performers of pop

songs that are submorted tied to their accompaniators, someone else's text and

alien music. The new living character did not even entered, and broke into the stage,

by bringing a song where everything is merged together: text, music, interpretation; song,

which is listening like a dramatic monologue. Vysotsky songs in it

born, they live in it and largely lose their vitality outside it

manners of execution, outside his nervous pressure, outside his dictation, and most importantly -

infecting energy thoughts and feelings, outside of his character. "

If you try to determine the place of Vysotsky in the history of our culture

in short, then the most accurate, will be: the personnel conscience of the people.

Therefore, the loves of the people, therefore, the massive pilgrimage to his grave on

Vagankovsky now how many years already, therefore the endless sea of \u200b\u200bflowers at his

monument, therefore, and the grab of any reminder of him - books, booklets,

cassettes, plates. During his lifetime, he did not become either people or deserved nor

laureate. Official awards and ranks were not awarded. But truly

people became. His talent, his work and there was the very powerful

monument.

He hypause the vices of our demoralized society without morals,

without patronage notes. He was alien to the prose. The meaning was

the struggle for the return of absolute: honor, conscience, dignity.

"Just me that the word" honor "is forgotten ..."

I do not like fatal outcome,

I never get tired of life.

I do not like any time of the year,

When I don't sing cheerful songs.

I do not like open cynicism,

I do not believe in enthusiasm, and more -

When someone else reads letters,

Looking through my shoulder.

I do not like when - half

Or when they interrupted the conversation.

I do not like when they shoot in the back,

I am also against the shots in the emphasis.

I hate gossip in versions,

Worms of doubt, honors, needle,

Or - when all the time against wool,

Or - when iron is glass.

I do not like confidence with full, -

It's better let the brakes refuse.

Announced me that the word "honor" is forgotten

And that in honor of the Mavels for the eyes.

When I see broken wings -

There is no pity for me, and no reason:

I do not like violence and powerlessness, -

That's just a sorry for crucified Christ.

I do not like myself when I drow

It's a shame when innocent beat.

I do not like when I climb into the soul,

Especially - when they spit in it.

I do not like Manege and Arena:

Millon change on them by ruble,

Let there be a big change in front -

I will never love it!

He knew how to hurt with a common grief, I knew how to grope and specify pain

societies.

It is impossible to retell the content of his poems, although the best of them -

these are peculiar little dramas. Followed one after another, then funny, then

sad, then genre pictures, then monologues, spoken by face with bright

pronounced personality, then reflections the author himself about life and

time, they, all together give an unexpectedly bright picture of this time and

a person in it with an unexpected philosophy of content - it gives a special

Talent Vysotsky very Russian, folk warehouse, but this, by itself

charming type obeys intelligence, ability to independently

to think and disintegrate visible. Vysotsky courageous not only

appearance, but also in a warehouse of thought and character. Fortunately, in his verse

no self-confident intonations, he is more thinking about life and is looking for solutions than

approves anything, in which the end is confident. But he thinks, discarding all

the possibility of compromise and mental quirkness. Ovenless, N.

easy, he makes the result of his search, hoping that he would understand.

Vysotsky puts internal stress, high concentration

emotional energy in his heroes.

"Vysotsky did not exaggerate his meaning, his gift. Maybe even

underestimated. However, the calling knew himself, treated him seriously,

honestly and was faithful to him to the end, and therefore his strength grew, surprisingly. "

These are the words of Y. Karyakin from the article dedicated to the memory of Vysotsky.

Yuri Titin in the work "Poetic System of Vysotsky" wrote: "... hardly

someday we will fully decipher this idea ... Artistic thinking

Vysotsky wears fundamentally biblanche: an empirical plan,

domestic - corresponds to the plan for the philosophical and ideological on the development of thought,

good and art.

independent world. Between the two worlds there is a hard limit,

its intersection can be only organized by violence over the plot,

withdrawn and the plot, and the hero in a new hyposta. No reincarnation here,

but Ecstasisis in the exact meaning of the word. From us, viewers or listeners,

recognition requires several possible worlds that seem

various mododules of the artistic language. Transition to another - always

overcoming the first ... ... Each poem is a finished

text, and at the same time, whether it obeys a more complex whole,

organized in the form of a performance or poetic concert. But by itself

lyrics or poem not just a fragment, but rather a cell,

reflective laws of the whole. The integrity of the plan, so, regardless of

its further fate, initially wears not mechanical, and organic

character, the development of the whole goes on the inner plan and does not allow

arbitrary gluing of individual parts

organic integrity and reproduces these patterns. IN

completed Production Design Cannot be observed with a naked eye,

it is hidden by a feature facility. Requires an X-ray ray of analysis,

so for the flesh to see the skeleton holding it and providing

possibility of movement.

You can love or not love poetry V.S. Himsotsky - this is a matter of taste and

beliefs to understand his grandiose contribution to the development of Russian and world

art art can be only one way - the study of the main properties

the artistic language, transmitted in the structure of the poetic text.

The existence of Vysotsky's poetry in the minds of his contemporaries was too

unlike everything we knew so far. Almost no one read

poems poet with his life, despite the fact that everyone heard songs. That

the existence could not not give rise to a sustainable presentation of the bard

the song is the character of all the creativity of Vysotsky. Of course, that's

representation partly true: about two thirds of steel poems

songs, and the remaining third for a long time was not available to absolute

most readers.

songs means consciously limit yourself. Poetry Vysotsky at the same time

What made the poetry of Vysotsky so popular among different people, in different

social and age groups? Most likely life recognition

situations in his poems. The same recognition led to his rejection

poetry. Vysotsky covered his work a huge thematic and genre

spectrum. Unlike most poets of his Lyrics alien to autobiography

experiences, it is largely focused on the poetic

representation of situations.

The purpose of most Vysotsky poems is to remove the pink

glasses, ridiculous its grateful and dip in the world of higher values

human Being. Vysotsky's poetry does not leave a chance for salvation in

constant reality. Poem poem - artistic

prophecy about powerful cataclysms, participants and witnesses we

we are now.

In his prophecies, V.S. Himsotsky relied on the historical and

poetic experience of the inexhaustible reserves of which are laid in our culture and

would like new Columbus. "

Numerous poems expose the genre nature of lyrics in

all its diversity. Only taking into account such a variety can be understood

how transformed a genre in a separate work.

The plot of "TV dialogue" consists of a replica of two opposite

poles - circus art and life. So, on one pole - clowns,

dwarfs, parrots, acrobatics and gymnasts, on the other - real

signs of life: Alkashi, Shurin, Drunk, Shop, Sewing Factory, Boring

rolls, etc. Life is the mind, art is fine, that's why the TV

This window into the world, created by other laws, the world invented, illusive,

circus. It is not only needed to catch up with the disgrace of the real world,

noah as a utopia, the sign of faith in some ideal being. Gap between life and

art is filled in the minds of these heroes series of magical values,

allowing to fold both peace into a single picture. Actually, Vanya with Zina

produce a well-known mythological procedure, adding to two thairs in

there are two thalers in your pocket and getting four in the end. Honor two

the worlds are just as necessary for the mythological consciousness of our heroes, like their

contrast. Through the plot, both peace interact: imagination

harners takes the heroes on the circus arena:

Oh, Wan, looked, what clowns!

Mouth - Although tied ties ...

Oh, to what, Wan, warmly,

And it looks like - no, however, Wan, -

On Shurin - so drunk.

No, you look, no, no, you look, -

I'm really, Wan!

Listen, Zin, do not touch Shurin:

What neither is it, and he is relatives, -

Namazan itself, prosecuted -

Wait, wait for me!

And what to chat - I would take, Zin,

In the intermission drove into the store ...

What you won't go? Well, I am one, -

Move, Zin! ..

Oh, Wan, look, what dwarfs!

In Jersey dressed, not in the shell, -

On our fifth sewing factory

This is unlikely to drink.

And you, her, God, Wan,

Well, all friends - such a river

And drink always in such a year

Such rubbish!

My friends are at least not in Bologna,

But do not drain from the family, -

And dad drink from savings:

Although in the morning - yes to your own!

And you yourself, Zin,

The buddy was from the tire plant,

So he is generally bold gasoline, -

You remember Zin! ..

Oh, Wan, looking-bow - Parrots!

No, I, she, God, scream! ..

And who is in a short Thaw?

I, Wan, I want the same.

At the end of the Quarter - True, Wan, -

You are the same journal ...

Well, "lagging behind", again "leaving",

It's a shame, Wan!

You're b, Zin, would rather walked

Cerented award in the quarter!

Who wrote to me complaints?

Not you?! Yes, I read them!

In addition, this T-shirt, Zin,

You have nailed - shame one.

You sewing will go Arshin -

Where is the money, Zin? ..

Oh, Wan, I will die from acrobatics!

Look, how to spin, fuck!

Our coat - Comrade Satikov -

Recently in the club so kicked.

And you will come home, Ivan,

Sing and immediately - on the sofa,

Ile, Won, shout when not drunk ..

What are you, Ivan?

You, Zin, rushing to rudeness,

All, Zin, offend torment!

There is a day so nachwalk ...

Come home - there you are sitting!

Well, and me, of course, Zin,

All the time pulls to the store, -

And there are friends ... After all, I, Zin,

I do not drink one!

Before his departure with his father to Germany, Vladimir Vysotsky lived in the apartment

on the first mesh, 126. On the house and the situation of those years in 1975 wrote in

"Ballad of childhood":

An hour to conceive I remember inaccurately

(So \u200b\u200bmy memory is one-bed),

But I was conceived at night, erased,

And appeared not until the deadline.

I was not born in flour, not in malice:

Nine months is no years.

I left the first time in the womb,

There is nothing good there!

Thank you, saint,

What spit yes dunted

What are my parents suddenly

To conceive me conceived

In those times secluded,

Now almost epic

When the term is huge

Brere in the stages are long.

They were taken on the night of conception,

And many - even earlier,

But the brotherhood lives,

My honest company!

Go! Dumushki fat, go!

The words! Straits are cute, words!

I received freedom for the first time

By decree from the thirty-eighth.

To know me who is so long Murzil -

Would love to the scoundrel! ..

But born, and I lived, and survived -

House on the first mesh, at the end.

There behind the wall, behind the wall,

For a partition

Footman with neighborhood

Balked by vodka.

Everyone lived in short, modestly so -

Corridian system:

Thirty-eight rooms

Just one restroom.

Here, the tooth did not get a tooth,

Did not warm telogrechka,

Here I learned according to certain

How much she, a penny.

The neighbor was not afraid of sirens,

And got used to her mother gradually,

And I spoiled, healthy trite,

On air airy alarm.

Yes not all that from above, - from God,

And the people of the lighter tushal.

And as a small front of the face -

My sand and a holey jug.

And beat the sun in three beams,

Through the holes of the roofs

On Evdokim Kirillycha

And Giesu Moiseevna.

She is: "How sons?" -

"Yes, the missing missions.

Eh, Guy! We are a family -

You are also victims!

You are also victims,

And therefore rubing.

MY - Bearing fallen,

Your - innocently sitting. "

I left the pellery and nipples,

Waited not forgotten, not abandoned,

But teased me: "Safety!",

Although I was normal Donate.

Masking tried to tear me:

Captured chasing - what are we trembling! ..

Our fathers returned brothers

Home - in your opinion.

Aunt Zina - Blouse

With dragons yes snakes,

Then the popovka popov

Father came with trophies.

Trophy Japan,

Trophy Germany ...

Country Limonia came,

Solid suitcase.

Took from his father at the station

Shoulder straps like Tsatqsi, me.

And from evacuation

Crowd piled civilian.

They looked around, separable,

They prayed, then rubbed.

And squandered those that waited

Invalted warming.

He became the subway to dig Father Vitkin with Genkoy,

We asked why - he answered:

They say, the corridors end with a wall,

And tunnels are removed!

Prophecy Papashino

Did not listen to the Vitka with the Koreh -

From our corridor

In the prison corridor went.

Yes, he was always a dispute,

It will be prohibited to the wall - refuses.

He passed the corridor

And finished the wall, it seems.

Well, the fathers - their minds!

And what about us -

We were viewed for life

Already on their own.

All from us to almost one year old

Intelligently led to blood

And in basements and mixtures

The guys wanted under the tanks:

Did not get them even on the pool -

In the craft we live yes,

Neither dare nor take a chance ...

But risked

From the files to make knives.

They stick into the lungs,

From nicotine black

On the handles are lungs,

Three-color, typical.

Wired exchange cases

Nitly Sports -

At the construction site, the Germans are prisoners

Shutters changed on bread.

First played in candy,

In trimenting with crumbles -

And here we left romance

From convoluted thieves.

There was time - and there were basements

It was a case - and prices reduced,

And flowed where the channels needed

And at the end, where we needed.

Children of the former seniors yes major

Before ice latitudes rose.

Because of those corridors

It seemed to them: more handy - down.

In this verse and reality, and irony, and anger from poverty consciousness,

poverty of people close to him.

Poems and the songs of Vysotsky about the war are, above all, monologues are very

true people. People from flesh and blood. Strong, tired, courageous,

good. So people can be entrusted with their own life and their homeland. Such ne.

let's go down

Today I can not hear hearts.

It is for alley and arbors.

I fall, grabbing Lead,

To think about the time to think:

"This time I do not return.

I'm leaving - another will come.

We did not have time, did not have time, did not have time to look back,

And sons, and sons go into battle. "

Why is everything wrong? It seems like everything is as always:

The same sky is blue again

The same forest, the same air and the same water

Only he did not return from the battle.

He was silent the nefple and did not sign in tact,

He always spoke about another

He did not give me to sleep, he got up with the sunrise,

And yesterday I did not return from the battle.

What is empty now - not about the conversation,

I suddenly noticed: We were two ...

For me, like the wind blew a bonfire,

When he did not return from the battle.

We and places in the dugout enough

We and time flowed for both ...

All now one, just seems to me

That I did not return from the battle.

Probably every person, familiarity with the work of Vladimir

Vysotsky, there is "his own Vysotsky", there are poems or songs that

like more than others. Like because they are something relative, closer,

rule.

For me, this is "wolf hunting" and "End of hunting for wolves"

Hunt for wolves

But today - again like yesterday:

Putting me, postponed -

Chain fun on the numbers!

Because of the firings cotton doubles -

There hunters are hiding in the shadow -

In the snow, the wolves are tumbled,

Turning into a living target.

Not on equalies play with wolves

Hengery - but does not get drnot, -

Protecting us freedom flags,

They are fighting confident, for sure.

The wolf cannot break the traditions -

Seen, in childhood - blind puppies -

We are wagged, suck of a wolf

And we dug: it is impossible for the checkboxes!

And here is the hunt for wolves, it is hunting -

On gray predators, mothers and puppies!

Shouting the header, and naughty dogs to vomiting,

Blood on the snow - and stains are red flags.

Our legs and jaws are fast, -

Why, leader, - give an answer -

We shake on the shot

And do not try - through the ban?!

The wolf can not, should not otherwise.

This is the time of my time:

The one I am intended

Smiled - and raised a gun.

There is a hunt for wolves, hunting is

On gray predators, mothers and puppies!

Shouting the header, and naughty dogs to vomiting,

Blood on the snow - and stains are red flags.

I came out of obedience -

For checkboxes, the thirst for life is stronger!

Just from behind I gladly heard

Surprised cries of people.

River from the forces - and from all the tendons,

But today is not the way yesterday:

Putting me, postponed -

But left for nothing with anything!

There is a hunt for wolves, hunting is

On gray predators, mothers and puppies!

Shouting the header, and naughty dogs to vomiting,

Blood on the snow - and stains are red flags.

The end of the hunt for wolves,

or hunting from helicopters

As if the razor dawn closed in his eyes,

Overacted the smoke, like magic sesame,

Arrows appeared, on might easier, -

And dragonfly soared with the rubble river,

And the fun went - in two hands, in two hands!

You lay on the stomach and cleaned the fangs.

Even he, even one who dived under the checkboxes,

Few womb pillows pillows;

He who even could not catch up with a bullet, -

Also in fear, it was bored and recruited and weakened.

To make life smiling wolves - did not hear, -

In vain, we love her, monochrome.

Here at the death - a beautiful wide ruffle

And healthy, strong teeth.

Smile and wolly smirk enemy -

PSAs are not yet frozen withers!

We crawled, doggy tails pick up

To the heavens, surprised muzzle crops:

Either from the sky pay off on us sheds

Either light end - and in brains

Only beat us in growth from iron dragonflies.

We swung the blood under lead rain

And they got torture, deciding: still do not leave!

The stomachs shoved with hot snow.

This slaughter started not God - a man:

Flying - flew running - in running ...

Pits sample, you are with my packs not knit,

In equal sapar - for us luck.

Wolves we are good our wolding life,

You dogs - and the death of you dog!

Smile wolly smirk enemy,

To finish the curved curves.

But - on tattooed blood snow

Our painting: we are no longer wolf!

To the forest - there at least a few of you saved!

To the forest, wolves, - harder to kill on the run!

Do the legs, save puppies!

I'm silent in front of semi-man gunners

And save the loud souls of wolves.

Those who are alive, hid on that shore.

What can I alone? I can not!

Refused the eyes, stupid stuffed ...

Where are you, wolves, the past forest beast,

Where are you, Yellow-eyed tribe my?!

I live, but now surround me

Beasts, wolping not kneading - -

These are dogs, remote our relatives,

We previously considered prey.

I smile wolly with a smirk enemy,

Stripping rotten fragments.

But - on tattooed blood snow

Our painting: we are no longer wolf!

Vladimir Semenovich Vysotsky, Vladimir Vysotsky wrote for 5

days to death:

And the ice from below, and on top - I'm lagging between:

Is the top il to try to try the bottom?

Of course, to emerge and not lose hope!

And there - for business in the expectation of visas.

Ice I need me - we have a shift and crash!

I'm all in sweat, although I'm not from Sokhi.

Return to you like ships from the song,

Everything is remembered, even old poems.

I am less than half a century - forty-eyed, -

I am alive, you and the Lord store.

I have something to sing, appearing before the Most High,

I will be what answer to him.

Best, in my opinion, creativity V.S.Vysotsky characterized

Evgeny Yevtushenko:

You, like an ancient hero, was carrying a power on the shield,

Now it does not matter that sometimes it was unfair.

You scolded and loved, and gossip climbed on the ground,

But your recordings sounded in the gateway and in the Kremlin.

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-----------------------

References for the study of creativity V.S.Vysotsky - see

Vladimir Vysotsky (1938-1980). (1938-1980), Russian poet, prose, actor theater and cinema. Born on January 25, 1938 in Moscow. In 1961, he wrote his first song Tattoo, which began the beginning of a peculiar song cycle, thematically connected with the life of a criminal environment, and stylistically - with the poetics of the city romance and the "thieves" folklore. These deeply ironic songs did not immediately find an adequate perception: Solva identified Vysotsky with his characters, throughout his life the poet had to refute the various legendary versions of his biography. In the first half of the 1960s, Vysotsky began to execute songs, accompanying himself on the guitar, in friendly companies, later - in public evenings and concerts. Thanks to the tape recorder, the circle of Vysotsky's listeners rapidly expanded, in a short time he acquired popular popularity and at the same time caused dissatisfaction with Soviet official circles.

In 1968, the article appears in the press, the articles condemning the song creativity of Vysotsky, and his reputation acquires a shade of stimolism. The long-term concert work of Vysotsky is constantly faced with external difficulties, the widest fame of his texts was accompanied by a unlawful ban on their publication. This led to the deep drama of the fate of Vysotsky as a writer, who considered the dominant of his song creativity, the poetic texts, who also wrote the shortened poems that had tried in prose (an unfinished romance about girls, 1977, etc.).

In 1981, the first poetic collection of Vysotsky - "nerve" was released, but most of its works and after the author's death remained under the unlawful ban. In 1987, Vysotsky was posthumously awarded the State Prize of the USSR, according to the official formulation - "For the creation of the image of Zhuglov in the television art film, a meeting place cannot be changed and the copyright of the songs." Since 1988, the publication of the poems and prosaic texts of Vysotsky began not limited to the censorsky framework, monographs and articles about his work, memoir books appeared.

Vysotsky enriched poetry elements of lively spoken speech, colorful characters, acute narration story. The formation of the artistic principles of Vysotsky was influenced by futuristic poetry (first of all - Mayakovsky), the prose of 1920-1930s (Babel, Zoshchenko, Bulgakov), the modernist sixteenth-sixties, Akhmadulin and especially Okudzhava - the creator of the "author's song" genre. The works of Vysotsky are replete with intertextual elements - unexpected rolls with classic poetry and prose, satirical travesting of masterpieces (in particular, Pushkin), parody rethinking formulas and clichés of the Soviet era.

The main features of Vysotsky's art world decided in the second half of the 1960s, when the main thematic layers of his lyrics were developed (the life of the criminal environment, war, sports cycle, household satire, fabulous songs, allegorical stories about animals, etc.), revealed the author to Thematic "encyclopedicity", to the dramatic conflict of the plots, to the hyperbolic nature development of characters. From the very beginning, Vysotsky for the semantic bibgunity of the artistic construction, considering the indispensable condition for a full-fledged song, the presence of a "second bottom" in it. This subtext in some cases possessed a pamphlet-political orientation ("INODOCHET" as a metaphor of dissent, "Giraffe is big - he is visible!" As a formula of conformism), in others - attached to the plots of philosophical depth and generalization, in the third, fixed the equal rights of mutually exclusive phenomenon points. Or the problem (the song about the first rows, who finished life tragically, the true poet ...). The dialogic, "twin-alone" word of the Vassochsky connects the book and the surprise, romance and landiness, pathetic seriousness and ironic generation. The ability to reincarnate and promptly ensured the persuasiveness of monologic confessions of the poet (I do not like, my black man in a suit with gray ... and others). Vysotsky's poetry is marked with genre diversity, creative wit, aphorist. Many Vysotsky's expressions are constantly quoted in everyday speech and in newspaper headlines, becoming "wound words." Vysotsky died in Moscow on July 25, 1980.

By the end of the 60s. Below are the first (mainly noble) publication of the works of Vysotsky. At the same time, a number of articles appear in the official press containing criticizing the works of Vysotsky, where they were denied not only in artistic, but also in "high ideas, genuine citizenship." The poetic response of Vysotsky for these events was the "Hunt for Wolves" (1968). In these years, Vysotsky tries to work in other genres: the story "Life without sleep" (1968, the name is given at the first publication in the Paris magazine "Echo"; in the domestic samizdate, called "Dolphins and Psychos"; in the USSR, first published in 1989 G., Application for the filmceneriory "The amazing story of a very young man from Leningrad and Sherburg" (1969; published in 1992) and the filmceneuria "somehow everything came out ..." (1969-1970). But none of It was not possible to realize the designs to Vysotsky. In 1970-1971 He works on the poem for children "Introductory Word about Vitaka Cavabel and a friend of the Dykhovichny Vanya" in 2 parts for the publishing house "Children's literature", which she never was accepted. In October 1970 In the theater on Taganka, the rehearsals of the play on the play W. Shakespeare "Hamlet", where Vysotsky played a major role. This acting department of Vysotsky became a milestone not only on his acting, but also on the poetic field, having a noticeable impact on his last Creativity. In total, the works of Vysotsky addresses the issues of life and death, human destination, universal connectedness and responsibility, one way or another painted by the "Hamletovskaya" theme: "Running Innodtsa" (1970), "Horizon" (1971), "Horses Peers" (1972) . One of the central places in the poetry of this period (1968-1973) occupies the poem "My Hamlet" (1972), in which reflections on the fate of their generation and his own fate, Vysotsky gave the form of a lyrical philosophical monologue, which allows not only better to understand the search for the very Poet, but also to present his vision of the image of Hamlet.

In the genre attitude, this period of creativity of the poet is more uniform than preceding: Along with the lyric philosophical monologue, Vysotsky is increasingly referring to the genre of ballads. "Hamletovsky" content is filled with a cycle ballad, written to the film "Flight Musters McK-Kinley" (1973): "Ballada about a small man", "Ballada of mannequins", "Ballad on Paradise", "interrupted flight." For the first time, the works of confessional ("I do not like", 1969; "masks", 1971; "Monument", 1973; "When I send and play", 1973) and love lyrics ("I'm burning candles every evening," 1968; " Marinka, listen, cute Marinka, "1969;" There is no one near anyone, no matter how breath ", 1969;" I love you now ", 1973). At the same time, the actual lyrical hero of Vysotsky is also formed. During this period, the most significant works about the war - "Song of Earth" (1969), "He did not return from the battle," (1969), "we rotate the Earth" (1972). In 1973, together with Marina Vysotsky, Vysotsky makes his first foreign trip, the impressions of which were reflected in the cycle of poems "from the road diary". Later, the first poem of this cycle "Waiting lasted, and the wires were brief" published with bills in Almanaci "Poetry Day. 1975". It was the only lifetime publication of Vysotsky poems in a similar edition. During these years, Vysotsky often leaves abroad, she lives in Paris for a long time in Paris, where he works on the cycles ordered by him by the director S. Tarasov for the film "Arrows Robin Hood" and the playwright E. Volodarsky for the play "Stars for Lieutenant". In 1977, Vysotsky first performs in Paris at the festival "Yumat" and at the evening of Soviet poetry in Paviyon de Paris with a group of poets (K. Simonov, B. Okudzhava, E. Evtushenko, R. Christmas, O. Suleimenov, in . Korotich). In subsequent years (1978-1979), Vysotsky speaks abroad: in Germany, Italy, USA, Canada. In 1979, Vysotsky is one of the participants of the Almanach "Metropol", organized by Vic. Erofeev and V. Aksenov, excluded later from the Union of Writers. About 20 works were presented in this almanac of Vysotsky, both in the genre attitude and the time of their writing: from the earliest ("guys, write me a letter ...") to more mature ("Balnika in white", " On the death of Shukshina, "" Horizon ").

The most mature stage of the creation of the poet - 1973-1980s. The central place in the poetry of the Vysotsky of this period occupies the topic of fate - from the fate of a separate person to the fate of the whole generation and the entire people. For this stage, the genres of the philosophical monolor and ballads are most characteristic, often with a pronounced parable beginning ("two fates", "parable about the truth and lies"). In the 1970s. Vysotsky often works on the radio, many of the performances with his participation are recorded on the discs: "Green van", "Martin Eden", "Stranger" and "Little Tragedies". The big cycle is written by them for the musical fairy tale "Alice in Wonderland" (1977). During these years, Vysotsky continues to work in the theater. In the late 1970s. He is working on prose ("Roman about girls", 1977), filmcenery ("Viennese Vacation", in collaboration with E. Vododar), tries to have his own strength in the director, hesides the idea of \u200b\u200bcreating a "author's" movie.

Lyrical hero and vysotsky poetry language

Usually, analyzing this or that classical work, speaking about a particular author, literary critics and critics talk about the language and style of "under the curtain", at the end of the book or article. In the case of Vysotsky (as with Zoshchenko and Platonov), it is necessary to begin with a language that spoke with the listener the lyrical hero of Vysotsky's poetry. First of all, a purely linguistic phenomenon is striking, which, largely, and underlies the unprecedented mass popularity of Vysotsky, and not anyone else from the creators of the author's song. Vysotsky's lyrical hero came to the literature, to the listener and reader with his language: the unlocked spoken, and often a jargon, tapering; expressive, short and accurate phrase; unpredictable, free, often obscure intonation; uncomplicated, easily digestible rhythms:

I was a soul of a bad society

And I can tell you:

My name-patronymic name

Perfectly knew in the KGB.

I got in love with all the street

And the entire Savelovsky station.

I knew what were interested in me

But still neglected ...

("I was a soul of a bad society")

In comparison with the previous years, this was a really new language - the street language of the Stalin camps and the following decades behind it. According to the testimony of Academician D.S. Likhacheva, the camp vocabulary in that camp era received unprecedented distribution (and not surprising: the half was sitting in the camps, the half-standing camp guarded), she penetrated into an intelligentsia environment, where many have learned famously "bot on the scene." Vysotsky in his songs also spoke in this language, but used it for artistic purposes (see about this next), creatively: it was Vysotsky, with his "absolutely true Language Face" (I. Brodsky), became one of the most notable voices of his era , of his time, he caught, transformed and introduced into poetry, artistically legalized this peculiar "rough language of the poster", who spoke, "the street", "the junior-free (speaking words of V. Mayakovsky) before the arrival of the poet. Without such a tongue, there would be no lyrical hero of Vysotsky, at least that we imagine it.

One of the reasons for Vysotsky's popularity was that he turned to the genre that had already been distributed in that camp era - the genre of Blesno (Vysotsky refused this word), or a courtyard, songs, a kind of reduced version of the former city romance. True, she (Bloom Song) was to Vysotsky outside the artisticity, was, so to speak, a migratory, altitude-fence, but she lived her life, was popular to him. It was a powerful plastic of folk culture. The poet himself later spoke about it like this: "I started with songs that many for some reason are called yard, streets. It was such a tribute to the city romance, which was completely forgotten at that time. And people probably had a craving for not simplified , namely, a simple human intonation. They were freakty, these first songs, and there was one, but a fiery passion: the eternal desire of a person to the truth, the love of his friends, a woman, close to people "2.

The main thing in these songs is a living, unreacitated word, taken from life, from a conversational speech, and longing for her in the era of ideological and speech stamps, the stationery and empty language of the official press was great. In the songs of Vysotsky, folk (household and folklore) speech element, which in his work found the status of artisticity, and the courtyard song became successful (for the new audience of the new time) the form of a conversation of the lyrical hero with a listener reader. Vysotsky developed the genre and proved that the courtyard of the song is capable of being not only sentimentally criminal and mesh, but also "social and illuminated and philosophical-in-depth, grotesco-comic and confessional-lyrical" 3. Vysotsky gave this non-serious folk genre seriousness, ethical and philosophical significance, introduced into the literature, and the phenomenon received a different name - the "author's song" (although, of course, not only thanks to one Vysotsky)

Vladimir Vysotsky. This name is familiar to every Russian man. It can be different in different ways: you can love and hate, recognize and not recognize. It is impossible to be equal to it. After all, all his songs are poems written by blood hearts. It is not by chance that it was probably chosen by the title of its first collection - "nerve". Vladimir Vysotsky is the phenomenon of the 70s. Someone from critics said that time would come, and we will study the era of the 70s on the work of V. You-Sotsky.

Unusual for the poet, Vysotsky his creativity was started. His first works were PA-Rodia on the so-called Bloom Folklore. But those who love from Vysotsky poems and the song only this genre do not know anything about Vysotsky.

Later, when Vysotsky has already gained experience in poetry, serious topics began to rise in his work: Love, who passed war, relationship between people and others. It seems that we have different poets, so diverse Vysotsky.

Then it is gently in love with a man:

I breathe, - and, it means I love!

I love, - and, it means I live!

His lyrical poems are inspired by a huge love for Marina Vla. It was a strange love, I did not see each other, communicating only by phone, but this love is Vysotsky carried through a lifetime.

That poet was transformed into the experienced Frontovik, who passed the entire war:

Finally, we were given an order to step

Select our Pyats and Crocks.

But we remember how the sun went back

And almost asked in the east.

Many fought people really took Vysotsky for the front-line, wrote to him letters in which he was asked if he was not one-sex. Vysotsky very touched these letters, and he often said: "It is better to receive letters, where you are taken for your fellow soldier than letters where you are considered a companion on the camera." The poet believed that let the war had long been over, but the eternal memory of those killed in the battles for Fatherland should remain in the memory of the people.

Here I used to get the earth on rapids,

And now granite slabs.

There is not a single personal destiny,

All destinies in a single mercy.

Fraternal graves do not have aspired widows,

People walk here.

On fraternal graves do not put crosses,

But is it easier? ...

A significant place in Vysotsky's poetry is held by Satira, in which the poet rises various flavors of society: drunkenness, blessing, rudeness, gossip:

Walk gossip that there will be no more rumors,

And there are rumors that gossip will be banned ...

It's no secret that he was sick of alcoholism, took drugs. But he never complained about his destiny. There were moments when the poet was close to suicide:

Even from the songs began to get tired

Go to the bottom as a submarine,

So that you could not so much ...

There were a lot of votor friends. There were real, but were "one-day", random drinking companions, and those who, after his death, became called "friends of Volodya". Here are these "friends" and did not allow him to be pronounced during the years of opals. And he in his own friends, he sacred poems:

He is not higher than the title nor growth,

Not for glory, not for a fee.

And on your unusual manner

He walked over his life

By rope, stretched like nerve!

This poem is devoted to clown Leonid Yengibarov, who deceased in the arena.

Several Vysotsky poems are devoted to Stalin's camps, more precisely, the inhabitants of these la-heers. Once he was told by the story of a successful escape: Three men escaped from the camp. In long searching in the taiga, they were starving, as the game was rarely coming. And the old man, feeling a close end, makes two young people swear that when he dies, they will cut it into pieces and will have it meat to survive and testify. Together with them, the sideline is the poet.

Vysotsky remained bold and straight.

For more than a decade, Vladimir Vysotsky is not with us, but he is in our souls, in our minds. Poetry and all the appearance of it is a metaphor of the 19th century poets. Vysotsky sang under the guitar, but he considered himself a poet. He was a poet.

Interesting the fact that if he wrote songs about sailors, then the sailors considered him, if about climbers, then - a climber, if about the prisoners, then thought he was "sat". In fact, nothing was really in reality. He, as a very talented person, somehow a special little guess the topic, heded the listener exactly that was the meaning that was laid in it. This property speaks of the extraordinary talency of this person.

Vysotsky died, untimely left young. But he will always remain in the heart of the grateful people.

Vladimir Vysotsky became the legend of Soviet music, theater and cinema. Vysotsky's songs became classics and indisputable eternal hits. Its creativity is very difficult to classify, as it goes beyond the scope and expands them. Usually, Vysotsky belongs to the bordeel music, but at the same time its manner of performance and the subjects of the texts completely different from the adopted in the Bardian medium. The musician himself also died from this movement.

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Childhood and youth

Vladimir Semenovich Vysotsky was born on January 25, 1938 in Moscow in a huge communal. Poet's father - Bard and actor, a native of Kiev, veteran of the Second World War, and Mom - Referrant Translator. When the war began, Vladimir Semenovich was only four years old, so Mom decided to leave his son to the Orenburg region. There, Vysotsky lived for about two years, and after evacuation, the family returned back to Moscow.

Two years later, at the end of the war, parents diverged. At first aged, Vladimir Vysotsky fell into the occupied post-war Germany, so his childhood cannot be called rainbow, unlike the peers located in the capital of the USSR. Being in Germany, Volodya visited the lessons of playing the piano. His mother married the second time, with stepfather Vysotsky was in difficult relationships. The native father also married the second time, but with a stepmother the musician had a better relationship.

Kulichki.com.

A young poet returned to Moscow in 1949, settling with his father and his wife. It was there that the acquaintance of Vysotsky with music was acquainted, or rather, with merry youth 50s, which pushed him to sing. The first chords of Vladimir Semenovich are the motives of Blush romance, a popular destination for those whose childhood has passed during the war. In the evenings, the company was going to play the guitar of the song about Kolyma, Vorkuta and Murke. Then Vladimir Vysotsky began a serious novel with a guitar.

At the age of 10, Vladimir Semenovich began visiting the dramatic circle. Then he still did not quite understand that his future belongs to the theater. After graduating from school, Vysotsky entered the Moscow construction, but after six months I realized that I was "not there" and threw an educational institution.

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According to legend, Vladimir did it suddenly and quite eccentric. All New Year's Eve The future actor together with the classmate was held for preparing for the session, made drawings, without which it was impossible to get admission to exams. After several hours of painstaking work, the drawings were ready - and then Vysotsky grabbed a carcass from the table and poured on his sheet. Vladimir realized that he could no longer be in this school institution, and the remaining six months decided to spend on preparing for a new arrival.

After that, a young charismatic guy entered MCAT and after three years he made his debut on the theater scene in the educational performance "Crime and Punishment." Then Vladimir Semenovich played the first small role in the film "Peers".

Theatre

After release from the Studio Studio, Vysotsky went to work in the theater. Pushkin. Soon, the actor went to the theater miniature, playing there in small episodes and extras, which did not cause greater enthusiasm. There were also unsuccessful attempts to break into the theater "Contemporary".

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As a result, I liked Vladimir Semenovich, theater was caught on Taganka, in which he worked until the death. Here Vysotsky tried out images of Hamlet, Pugacheva, Swidrigailov and Galilee. Together with the theater on Taganka, the actor toured a lot, he practically traveled the whole world, performed in France, Poland, Germany, Hungary and Bulgaria, several times could drive himself in the United States, visited Mexico, Canada and Tahiti.

Music

Texts to songs Vladimir Vysotsky wrote himself. The first verses Vysotsky wrote still at school. The poem "My oath", a young poet dedicated to Stalin and in the lyrical manner grieving about the death of the leader. The first song himself Vysotsky calls "Tattoo", which was executed in Leningrad in 1961. This song began in the work of the poet of the cycle of yard, "thorough" works.

Despite the statements of the performer himself, there is another song dated a year earlier. This song is called "49 days." She is written about the feat of Russian soldiers who drifted on the Pacific Ocean. Poems were devoted to a noble topic, but it did not make Vysotsky love his creation. He called this song to the halitchikov benefit and responded very negative about it. According to the author, you can press many such verses, simply by opening the heading of current events in any newspaper and rewritten the surname. For the poet it was important to pass creativity through myself, so he did not recognize the "Halturny" song "49 days".

Vladimir Vysotsky's author's inspiration, whom, who, until the last day of his life he considered his mentor. "The song about the truth and lies" was devoted to him. Writing music and lyrics Actor started in the 60s. The first listeners did not appreciate the "yard" motifs of the musician, and they didn't really like the Vysotsky himself. As a musician Vladimir Semenovich matured a little later. In 1965, the Song "Submarine" was the sign that the youthful creativity of the early poet ended. Later, the actor wrote songs for the film, in which he shot himself and took an active part in their creation.

Rock Cult.

In 1968, the first gramplastine was published with the author's songs of Vysotsky. It was a collection of his songs to the movie "Vertical", including I first sounded in this picture, and later I became one of the business cards of the musician "A song about a friend."

In 1975, for the first time, and, as it turned out, the last time, in the official Soviet collection, Vysotsky poem was published. It was lucky to verse "from the road". In the same year, the musician recorded a new plate "V.Vysotsky. Self-portrait. " It was a large compilation, with the author's retreats before each song and accompaniment on three guitars. But the record came out only partially and only after the author's death.

In 1978, Vladimir Vysotsky received the highest category of the pop soloist. This showed that the Ministry of Culture recognizes the work of Vysotsky and ready to recognize it by a professional performer.

TV center.

In 1979, a musician toured a lot, he performed in New York and Toronto. Vysotsky's songs were so impressed by the listeners that in law-abiding America in the same year without permission of the singer himself published a pirated recording of a concert with a confused order of compositions.

In the same year, Vladimir Vysotsky took part in the creation of a famous Samizdat almanach "Metropol". It was an observed publication, a collection of texts of those authors who could not be printed officially. A total of 12 copies came out, but one of them could illegally take out in the United States, where Almanac was published officially.

Vysotsky continued to tour. In France, he met the Gypsy musician, in a duet with which he performed many songs and romances. The singers planned to record a record, but Vladimir did not have time to do this.

In the last years of life, the artist never ceased to give concerts. He spoke in Leningrad, Kaliningrad and Moscow, continued to play Hamlet in the theater on Taganka.

In the repertoire of the musician and the poet more than 600 songs, as well as about 200 poems. His concerts attended crowds of fans. The work of Vladimir Vysotsky to this day does not lose relevance. The musician gave more than one and a half thousand concerts worldwide. Once life, Vysotsky released 7 own albums and 11 collections of songs of other musicians in his performance.

The exact discography of all albums and collections in which Vysotsky participated, it is almost impossible to create, since they were published in different countries, carried out of the sale, rewriting. After the death of Vysotsky, his song continued to go out on the plates.

Films

In the biography of Vladimir Vysotsky, theater, movies and music are equally intertwined. His first, episodic role in the film "Peers" Vysotsky played while studying in Mkate. But truly cinema opened Vladimir Semenovich as an actor in 1961, after filming the film "Career Dima Gorina". Then followed "713th asking landing" and other films. But there was no main role, Vysotsky began to abuse alcohol. This lot turned the worse.

Serious success came only in 1967 with the release of the film "Vertical", to which he wrote all the songs. About Vysotsky immediately recognized the whole country, at the same time both about the actor, and as a musician.

Vysotsky's songs were criticized in the Central Committee of the CPSU and the subordinate press. Vysotsky could not ignore this and after the urgent articles on the topic, which Vysotsky sings, sent a letter to the Central Committee, where he called this criticism with sharp and silent.

Kumir Millions Vladimir Vysotsky became a contemptuous Soviet government. He was often refused of roles, and the songs did not go on the air, so during the 70s the actor shot little. In the theater on Taganka, it was dismissed for drunkenness, they again argued to the main roles. Vysotsky several times almost "stuck" to the world due to the weak heart, overwork and prolonged swallows. But at the same time, it was during this period that Vysotsky played his Hamlet who was remembered to millions. Vladimir embodied the most difficult and attractive role in his special manner and infinitely talented.

On television, Estonian transmission dedicated to Vysotsky, "Guy from Taganka" came out. It was the first appearance of an artist on television not in a feature film. About the actor wrote a lot and filmed. The article in the journal "Theater" was published about him, later Vysotsky called to speak on the French TV channel, where he fulfilled his biographical "ballad of love." But on central television, no interviews or concert of Vladimir Vysotsky during his life was shown. Sometimes there were attempts to record an interview for central television. For example, Vysotsky spoke with Valery carriers, but subsequently the film with the transfer was washed off, without leaving nothing but a small final fragment for a few minutes.

The sign role for Vladimir Vysotsky was the work in a multi-sieuled picture "The meeting point cannot be changed", where the actor played his favorite hero - Gleb Zheglov, and also acted as director. In this film, Vladimir Semenovich's song does not sound, although initially he expressed such a desire. Then the director was against such creativity, since, in his opinion, Charismatic Vysotsky could eclipse the image of his hero.

Vladimir Vysotsky really wanted to play in the American film "Red". He recorded a video message to Warren Beatti, who had to become a film director. But the entry in the US has never reached.

Personal life

When Vladimir Semenovich studied in the first year of Mkat, he met a fellowship, who eventually became his first wife in 1960. The marriage did not last long, the spouses often quarreled and, without living together and years, divorced.

The second wife of the actor became. They met a year after the divorce of Vladimir Semenovich with the first wife. In this marriage Abramov presented the musician of two children, which could not save the family, and already in 1968 the couple also diverged. Both Sons of Vysotsky subsequently became artists and tied their lives with a movie. Younger Son, manages the State Cultural Center-Museum V.S. Vysotsky.

Woman.ru.

For the third time, Vysotsky married to, which I first saw the "Witch" in the film "and immediately fell in love with the actress. For many years, the musician dreamed of a beautiful woman, revising the painting with her participation. Their acquaintance was still happening. Once, after viewing the play, Vysotsky visited the restaurant, where he was resting said. Then the man straight went to her, took the hand and did not reduce the eyes from Marina. In 1970, Vlad and Vysotsky got married.

Vladimir Vysotsky's personal life then turned over, his long-standing dream was carried out. So it lasted 10 years, until the death of the musician. Throughout this period, Marina Vlady remained for the actor not only with his beloved woman, support, but also the main muse.

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But in this family, everything was not so smooth. Vysotsky had a scandalous reputation, a lot of rumors went about him and his women. Already in our time in the biography "Vysotsky. Thank you for living. "Artist's novel with some Tatiana Ivlev in the last years of life. The girls with that name never existed never, but this does not mean that the famous musician was shaken and attributed to a married man with non-existent love on the side.

Student Oksana Afanasyev became the last love of Vysotsky. He fell in love by chance and at first sight. As later told, Oksana he became her first and, probably, the only real love. The difference between lovers was more than 20 years old. Oksana was a daughter of the famous writer, so there was no trepidation before famous personalities, much more she was afraid that for a popular musician with a reputation as an alcoholic and the woman, she would only become entertainment. But these were real feelings with gentle courtships and admiration.

Woman.ru.

Vysotsky's wife at that time lived his life in Paris, but knew about her husband's mistress. Oksana even moved to the apartment to Vladimir, she knew that he was married, but perceived it as something far and not significant. The musician has changed her. Vladimir Vysotsky did not hide his relationship, openly acquainted the girl with his friends and colleagues.

Death

Vladimir Vysotsky, despite confident appearance and high growth, did not differ strong health. It is difficult to say whether the congenital prerequisites were for this, the role of the artist to alcohol played. Vysotsky smoked on a pack of cigarettes per day and for many years was dependent on alcohol. He was a creative person, but his works were constantly criticized, pressed and postponed. With all this, he helped throw or at least encode many of their famous friends. He caught them in the city during periods of exacerbations, persuaded, gave the pills brought by Marina from France. So he pulled at least Dahl and Livanova. Many familiar musicians argue that in recent years of life, Vysotsky himself ceased to drink alcohol.

Hitgid.

Nevertheless, for a long time, Vysotsky had heart and breathing problems.

The first serious attack occurred in 1969. Vysotsky went blood to the throat, the ambiguned wife called an ambiguity. At first, doctors even refused to hospitalize the musician, considering his mortal case, but the lady blocked the door and threatened the diplomatic scandal. Vysotsky rescued the perseverance of his wife and the fact that the physicians recognized the famous singer and actor. The operation lasted 18 hours.

Alcohol addiction had its consequences, causing kidney and heart disease. Doctors tried to fight with particularly severe states of the drugs of the narcotic series. It is not known whether this cause dependence or the musician himself decided that the drugs would help him refuse to alcohol and cope with their illness, but the fact remains: by the mid-70s, Vysotsky developed drug addiction. He constantly increased the dose of morphine and amphetamine, by 1977, Vysotsky could no longer live without daily use of narcotic substances. At that time, the musician was already doomed, attempts to treatment did not have actions and Vysotsky predicted death for several years or from overdose or from abstinence.

Theplace.ru.

In 1979 in Bukhara Vysotsky, it was possible to survived clinical death. Biographers still argue about this fact.

On July 25, 1980, Vladimir Semenovich Vysotsky died suddenly. Death came in a dream in the apartment where the musician lived. The artist rushed around the room and said Mother, which knows what will die on this day. He fell asleep only after the progressive injection and died in a dream.

At the request of closely, the opening was not carried out, therefore the exact cause of the death of Vysotsky was never installed. According to several sources, it can be assumed that the poet, a musician and a talented actor died of myocardial infarction or from asphyxia due to overdose by sedatives.

Friends and spouses recognized that Vysotsky killed drugs, but indirectly, overdose is never mentioned as a likely cause of death.

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In newspapers and on television almost did not advertise the death of Vladimir Vysotsky. This happened not so much due to the fact that he was an objectionable power by the poet, as because of the date of death. Vysotsky died during the Summer Olympics in Moscow. Nobody wanted to spoil such a major international event with a necrologist. The actor's death message posted in the box office theater on the Taganka, and a huge crowd was almost instant around the theater. None of those who bought tickets for the failed speeches of Vysotsky did not pass them.

Information about the funeral was actively silent, but the whole city came to farewell to the musician. As marina said later, this marina was not buried even kings. To get to the Vagankovsky cemetery, the coffin with Vysotsky should have drove past the Kremlin. The official authorities tried to wash off flowers and knocked down the portrait so that there was no visible who was carried through the Moscow Center, but before that, a quietly mournful crowd, the chest faced the protection of the procession. People with umbrellas closed flowers, shouted at the police. Photos of this disorder went around the whole world.

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In order for the Great Musician to be buried not far from the entrance, the director of the cemetery had to sacrifice his position. Vysotsky's grave turned out to be simply littered with flowers. Fans of genius did not forget about it for many years. Until now, many Vysotsky admirers visit his last refinement and leave flowers. In 1985, the standard tombstone changed the monument to the musician. The statue echoes his song "Monument" and depicts a person trying to escape from a stone shell and from chains of creative canons.

Filmography

• Persister
• Career Dima Gorina
• Alive and dead
• War under the roofs
• Served two comrades
• Fourth
• Mr. McKornley's flight
• Zodiac signs
• There are two of them
• Meeting place can not be Changed